Buttdial (1A) was selected for production in the Lowell Arts Playbytes by Playwrights: Things That Go Bump in the Night Festival in October 2022. The set-up: God, who appears very un-godlike, has a new phone and he’s not very good with it. Then, the person he buttdials picks up.
Hand-Clubbed Baby Seal (1A) was a Top-10 finalist in the 2022 Veterans Repertory Theater play competition, and was selected for the Short&Sweet Festivals in Dubai (2023 and 2024) and Sydney (2024). The set-up: At a wedding reception guests learn that the wonderful canapés they’ve been eating are made with hand-clubbed baby seal… or is it a carpaccio of spotted owl?
My play with songs, Trying to Catch Amnesia (as a 1A), had a staged reading by Dare Arts in November 2022, a workshop (as a full-length, 2A play) with Heartwood Regional Theater in February 2023, and a table read at Fairfield University in July 2023. Trying to Catch Amnesia was a semi-finalist in Syracuse University’s New Works New Voices initiative for 2023.
Come Dawn (1A) was selected for Salem State University’s 2023 Veterans’ Play Festival and for the 2024 Maine State Playwright’s Festival. The set-up: The Somme, 1916. Private Harry Farr has been condemned to death for cowardice, and will be shot at dawn. We wait for dawn with Harry and the men who will conduct his execution.
Bullseye, Wyoming (1A) is out there now, looking for some love. The set-up: 1983, and two airmen from an ICBM site are confronted by protestors from the Peace Churches.
The Inn at Little Bethlehem (2A) is a comedy set at a small-town inn in rural Maine during a nor’easter at Christmas. There are Elvis impersonators. We’ve held a table-read, a workshop, and some re-writing. I hope to put this in front of an audience during the holiday season 2025.
I’ve just finished adapting my novella Love, Orchids, and Red Mercury into a screenplay—my first. The working title is Red Mercury and I have no idea what to do with it now.
I’m mostly done with a first draft of my next full-length play, Silenced. It looks at the First Red Scare, the moment in 1919 and 1920 when the National Security State was created. The vehicle is Kate Richards O’Hare, Emma Goldman, and Gabriella Antolini in side-by-side prison cells.
I’m sketching out the plot for a play called Square Tuna that takes place at a down-at-the-heels motel in Cocoa Beach, Florida in 1977. Look for bad haircuts, inter-planetary spacecraft launches, military deserters, dope washing ashore, and Rumspringa.
Image: View from the stage of The Waldo Theater in Waldoboro, Maine.